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1: THE MOST IMPORTANT THING I WILL NOT BE TELLING YOU

#1: THE MOST IMPORTANT THING I WILL NOT BE TELLING YOU. “Classic” is a terrible epithet to slap on a book: it ends up on somebody’s Lifetime Reading Program or one of those other canons people are always firing off. My own notes are going to be entirely random and subjective, but if you are looking for a guide to the best, a checklist of the biggies, I recommend Classics Revisited, by Kenneth Rexroth. Rexroth was a California poet—he organized the famous Six Gallery reading which launched the Beat movement—as well as a translator, essayist and reader of world-ranging voracity. This book gives essays on sixty classics ranging from Gilgamesh to Chekov, with suggestions for the best translations of foreign-language works. Unlike most such efforts, it is lively, beautifully written and genuinely exciting. There is a second volume, More

Classics Revisited, and both are in print from New Directions.


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#172: GOOD STUFF COOKIES.

#172: GOOD STUFF COOKIES. Ah, yes, speaking of translating that line in Catullus, here is the first verse of Anselm Hollo’s poem “De Amore”: love i —thou— me-off-pissest (hopi catullus) Well, solves t

#171: SPEAKING TO WAKE THE STARS.

#171: SPEAKING TO WAKE THE STARS. I came across J. P. Seaton’s translations from the Chinese a good thirty years ago, in The Wine of Endless Life (White Pine Press), a charming collection of drinking

#170: TWO IRISH PLAYS.

#170: TWO IRISH PLAYS. Some plays depend on a central conceit so ingeniously worked out that they color all our later memories of the work. Tom Stoppard’s Arcadia, for instance, weaves back and forth

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