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1: THE MOST IMPORTANT THING I WILL NOT BE TELLING YOU

#1: THE MOST IMPORTANT THING I WILL NOT BE TELLING YOU. “Classic” is a terrible epithet to slap on a book: it ends up on somebody’s Lifetime Reading Program or one of those other canons people are always firing off. My own notes are going to be entirely random and subjective, but if you are looking for a guide to the best, a checklist of the biggies, I recommend Classics Revisited, by Kenneth Rexroth. Rexroth was a California poet—he organized the famous Six Gallery reading which launched the Beat movement—as well as a translator, essayist and reader of world-ranging voracity. This book gives essays on sixty classics ranging from Gilgamesh to Chekov, with suggestions for the best translations of foreign-language works. Unlike most such efforts, it is lively, beautifully written and genuinely exciting. There is a second volume, More

Classics Revisited, and both are in print from New Directions.


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#178: WHEN THE CLOCK STRIKES THIRTEEN.

#179: WHEN THE CLOCK STRIKES THIRTEEN. It does so, most famously in literature, in the opening sentence of George Orwell’s 1984, yes; but the clock striking thirteen has its older and legendary prese

#177: RECALLING/READING TRUFFAUT.

#177: RECALLING/READING TRUFFAUT. In the Netflix series “Pretend It’s A City,” Fran Lebowitz says, “Musicians are loved by people…because they give them the ability to express their emotions and their

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